"We also were interested in a kind of progression of aggression, and the idea of indirect manipulation." These are both very specific references to the behavior of the game, but they echo larger historical themes related to one country's manipulation of and aggression toward another. "We were interested in playing with perspective," continues Brinson, and he means this both literally and metaphorically. Brinson was a collaborator on the Waco Resurrection project, for example, which revisited the Branch Davidian compound through the mind of David Koresh, while his quirky online film No Animals Were Hurt takes a look at a little known aspect of the life of Alan Turing. But they also often examine historical figures, frequently from a rather oblique angle. The game will be showcased at the independent game design festival IndieCade this coming weekend.I've been a fan of the decidedly unusual and intriguing work of Brinson, an LA-based game developer and filmmaker, for several years, and indeed, many of his projects feature animals. The fickle feline becomes the disruptive catalyst for movement from level to level through the game, which traces in reverse the series of events that triggered the coup against Mossadegh designed and carried out by the CIA in 1953. Mohammed Mossadegh," explain Peter Brinson and Kurosh ValaNejad, as if playing the pet of the former Prime Minister of Iran is as natural as can be. Continued abuse of our services will cause your IP address to be blocked indefinitely." The Cat and the Coup is a documentary game in which you play the cat of Dr. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior.
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